Showing posts with label Guest Author Post. Show all posts
Showing posts with label Guest Author Post. Show all posts

Friday, May 5

Character Interview with Alex and Ella from A RAGING MADNESS



Ella and Alex sit nervously in the rector's parlour. He has some questions, he says. They mustn't worry. The questions are not intended to be intrusive, but rather to help them understand one another, so that they can work through the different approaches that they, like every other couple, bring to a relationship.
(Where an early nineteenth century rector found a set of twenty-first century marriage preparation questions, I could not say. In an envelope on his mantel-piece, perhaps?)
But here he is, armed with a pot of strong tea and some hearty slices of pound cake.
Rector: What are your priorities and expectations in a relationship?
Ella: My priorities have changed since I have been with Alex. At one time, my top priority was to protect myself from further harm, and to do that, I kept my emotions tightly buttoned up. Perhaps if any of my children had lived, it might have been different. Yes. I would have needed to protect them, I imagine. Now, I want what Alex wants. I know I can trust him to put me first, and so I am safe to put him first. My priorities have changed because my expectations have changed.
Alex: I must agree with Ella. My earlier experiences meant I disbelieved in love, at least for me. I wanted to give and receive pleasure, and beyond that I wanted to do and receive no harm. Now I want a great deal more. I am seizing happiness, which I never expected. Joy, even. Ella and I are partners and friends, as well as lovers.
(Ella gives Alex a shove, and whispers, "Alex, you can't say 'lovers' to the Rector!" The rector just smiles and continues.)
Rector: What's your biggest fear in a relationship?
Alex (taking Ella's hand and smiling): I have no fears for the relationship. It's not that I think we'll always agree. I'm sure we'll have misunderstandings and arguments. But we will talk them through. I've never had that with a lover before.
Ella: I am not afraid that we shall cease loving one another. (She leans into Alex's shoulder, hiding her face as she admits,) I am afraid of losing him. Life is very uncertain, and he will do dangerous things like clambering around on the stable roof to check the shingles.
Rector: You have both had past relationships. Do you blame yourself when a relationship fails?
Ella: I blamed myself for years. If only I had been more conformable, better born, prettier, more responsive to... (She trails off, blushing).
Alex (kissing the hand he holds): None of that is true, Ella. Melville would have been a bully and an arsewipe no matter what you had done.
Ella: I realise that now. He was the problem; not me. And you must know the same is true of you, my love. The Bad Baroness was to blame for that horrible incident, not you.
Alex: I am, at the very least, to blame for my poor taste, Ella. Not just with the baroness, but with others. They coloured my view of women, and therefore the way I treated you. I am so sorry, my dear heart. I will spend my life making it up to you.
(They kiss, while the rector smiles benevolently.)
Rector: Lady Melville, why did your relationship end? Who ended it?
Ella: In a legal sense, it ended when Gervase died. How else can a marriage end? But in another sense it never began. He did not want me as wife from the first, and I certainly would not have married him given a choice.
Rector: If you could have, would you have fixed it and got back together? Would he?
Ella (hesitating): I feel I should say yes, and perhaps if my children had lived... But he would have been, at best, an indifferent father. It sounds dreadful to say I was better off without him even before I met Alex. At least until Gervase's brother and his wife tried to destroy me. And now? Now I know what a real marriage can be. How can I wish myself back in the nightmare that was my first marriage?
Rector: Lord Renshaw, why did your relationship end? Who ended it?
Alex (blushing): This is a little embarrassing. I was infatuated with a woman, Reverend. I would have done anything for her. But I suffered a complete revulsion of feeling when I discovered that she had seduced me at the behest of her husband, who enjoyed watching her with her lovers! I found out at a most inconvenient and intimate moment, and I left the house immediately, pausing only to resume my clothing.
Rector: If you could have, would you have fixed it and got back together? Would she?
Alex: She would have. Indeed, she made the attempt. But I have never considered sexual intimacy to be a spectator sport, and objected to being made a performer against my knowledge or wishes. I found---I still find---the idea repulsive.
Rector: What's the most important thing in your life?
Ella: Alex. And family. I have one now, thanks to him.
Alex: Yes, family. And Ella is the most important person in my family.
Rector: Where do you see yourself in five years? In twenty years?
Ella (exchanging a melting glance with her beloved): Beside my Alex. If God sees fit to bless us, in five years he will have his heir and perhaps another child or two. Our stables will be established, and our horses winning notice. In twenty years, I see us at the height of our fame as horse breeders, but beginning to think about handing the enterprise to the younger generation. They will be young for it then, of course, but we can begin to prepare them. And, of course, we might have a daughter of an age to be presented. We will need to rely on Alex's sister for that. I have never made a come out and would not know how to go on! But I am sure Susan will be glad to help.

Alex (his eyebrows climbing into his hairline in his alarm): Good heavens. She is not even born, perhaps not conceived yet, and you would have me put her on the marriage mart? Have mercy, dear Ella. Rector, I share Ella's vision, and her and I growing old together, with our family and our tenants around us. If we are given children, I will be grateful and will treasure them. If not, then I am already rich, for I have the woman of my dreams to share my life with.

Thursday, May 4

Book Excerpt: A Raging Madness by Jude Knight






Genre: Regency romance, historical romance, historical suspense,
Regency noir, gothic    

Heat rating: PG-13   
ISBN: 9780473393670
Page count: 382 pages on Kindle    

Publication date: 9 May 2017

Blurb

Ella survived an abusive and philandering husband, in-laws who hate her, and public scorn. But she’s not sure she will survive love. It is too late to guard her heart from the man forced to pretend he has married such a disreputable widow, but at least she will not burden him with feelings he can never return.

Alex understands his supposed wife never wishes to remarry. And if she had chosen to wed, it would not have been to him. He should have wooed her when he was whole, when he could have had her love, not her pity. But it is too late now. She looks at him and sees a broken man. Perhaps she will learn to bear him. 

In their masquerade of a marriage, Ella and Alex soon discover they are more well-matched than they expected. But then the couple’s blossoming trust is ripped apart by a malicious enemy. Two lost souls must together face the demons of their past to save their lives and give their love a future.




Buy links



Book Excerpt

Alex poured the coffee, his rinsed shaving mug doing service for Jonno’s portion. Ella sat and sipped while Jonno cleared the table and pushed the serving trolley out of the way. At Alex’s gesture, he sat on the stool again.

“Now, Lady Melville. What trouble are you in, and how can we help?” And should he believe a word she said? She did not act like a lunatic, apart from appearing half-naked in his room in the middle of the night. Apart from the panicked response to her brother-in-law.

That she had taken opium in some form was beyond a doubt. The contracted pupils, the loss of appetite, the shaky hand, the restless shifting in her seat, all spoke to that. Thanks to his injury, Alex had far too close and personal an experience of the symptoms to mistake them. The bruises on her jaw hinted that the drug taking might not have been voluntary, but perhaps her keepers needed to drug her to keep her calm.

Sane or not, Alex hoped he would not need to hand her back to Braxton. Her fear might be irrational, but when she had stood at bay, begging for his help, he had been thrown back ten years. Not that she begged him then. But he left camp on a short trip for supplies, and returned to find Ella married and much changed, her fire banked; her joy extinguished. That time, he had ignored her plight, hardened his heart and left her to the fate she had engineered. And had suffered with her as the consequences quenched her vitality and sucked away the last of her childhood. Suffered, and been powerless to help.

“I have been drugged,” Ella said baldly. “Twice a day. For weeks now. They won’t tell me why. If I refuse, they force me.”

“‘They’ being Braxton and his wife?” Alex prompted.
“And Constance’s dresser.”

“Go on.” He was careful to show no disbelief, no surprise.

“I have been kept in my room. They locked the door. They took all my clothes, my shoes. I saw you out the window and so I came. Will you help me, Alex?”

“I can take you to the rector.” Even as he said it he remembered the plump little man greasing at Braxton’s elbow. Ella would find no help there.

“No!” Her rejection was instant and panicked. “He will give me back and they will send me to that place. No, Alex. You do not know what they plan for me.” She was weeping. Alex had seen her calm under cannon fire, dry-eyed at her father’s funeral, efficient and unemotional in the midst of the carnage of a hospital tent after a battle. He had never seen her weep.
He captured her hands, and kept his voice low and soothing. “I do not, Ella. Tell me.”




PLEASE BE ON THE LOOK OUT FOR THE CHARACTER INTERVIEW MAY 5TH!

Sunday, March 12

Guest Author Post: From Screenwriter to Novelist by Fred Holmes

Happy late Sunday everyone! We have a special post today by Fred Holmes author of The Ugly Teapot.  Enjoy! And thank you so much Fred Holmes for taking time to share your incredible story with us. 



Let me start off by telling you about my novel: THE UGLY TEAPOT is the story of a fourteen-year-old girl who loved her father so much that she worried about him constantly. After all, he was a photographer who traveled to the most dangerous places in the world.

To allay her fears, each time he came home he brought her silly gifts, each one with supposed magical powers: the Seal of Solomon, the Ring of Gyges, even Aladdin’s Lamp. It was that lamp that the girl found most unbelievable, for it looked like an ugly teapot. Nevertheless, her father assured her it was real, and made her promise to save her three wishes for something very special.

Then . . . six months later . . . the unthinkable happened. Her father was killed while on assignment to Baghdad. And so on the day of his funeral the girl did something she never thought she would ever do. She took out that teapot and gave it a rub . . .

Okay, that’s the story blurb, and now I have a confession to make. I didn’t start out to write novels. I started out to make films. I directed two feature films starring Lou Diamond Phillips, one for Miramax and one for Lionsgate; then I directed a Bollywood feature film shot on location in India that starred two huge Bollywood stars, one of whom had won the Indian version of an Academy Award.

I also wrote and directed a lot—and I do mean a LOT! —of television. Some of these were documentaries shot all over the world, but mostly I worked in series television—and most of these shows were in the area of children’s television. According to IMDB, I’ve directed north of 250 episodes of TV, and along the way I’ve won quite a few awards, including two Emmys.

Why am I telling you all of this? Because none of it matters. Seriously, when I started writing novels I discovered that all of my work in television and film was irrelevant. It didn’t matter one bit. Okay, maybe it did matter one bit—writing so much television had taught me what a good story looked like, sounded like, tasted like (they taste like chicken and go really well with some fava beans and a nice Chianti), but I still had to learn how to translate that knowledge into writing prose. And there is a difference between writing prose and writing screenplays. Oh yeah, trust me on this. There’s a huge difference.

In order to educate myself on how to write novels, I began by reading a lot of books on the process, and I spoke with my friends who were novelists. I also read a lot of children’s fiction. I’ve always loved reading, and I’ve always loved children’s literature; plus I’ve been fortunate to work on television shows that starred children. All of this helped. It also helped that screenplays and novels do share a common rule: “Show not tell”. Unfortunately, they’re also completely different in that novels are meant to be read and screenplays are meant to be filmed. Yeah, I know, duh...but what this means is that you only write down in a screenplay what the audience will see and/or hear. You do not dig deep into the characters’ psyche—that’s for the actors to portray, and the director to cover visually—and they both get really upset with you if you mess with their territory!

So in order to write THE UGLY TEAPOT, I had to learn how to write fiction. This was a challenge for someone who had never taken a writing course. What I did have, fortunately, was a lot of experience telling stories. I also had a good story to tell. THE UGLY TEAPOT began life as a screenplay called FIREFLIES, and everyone who had read it, loved it. It had been optioned numerous times by some powerful producers (including Gerald R. Molen who had won the Academy Award for producing Schindler’s List). Jerry tried to get FIREFLIES made into a movie for a number of years, but he was known for producing big-budgeted films (HOOK, JURASSIC PARK, MINORITY REPORT, etc.), and FIREFLIES was a sweet, small-budgeted film, so he was never able to get it made. Then a friend of mine at Disney read it, loved it, and told me, “This is really good. You should adapt it into a novel.”

This struck a chord with me. First, I really appreciated the praise; and second, I’d always wanted to write novels, I just never thought I could. Why? Well, the best analogy I can give you comes from some of my actor friends in Hollywood. A lot of them will tell you, “I’m only acting in television and films to make money. My goal is to be a star on Broadway where the real actors are.” And that, in a convoluted way, was my attitude about writing for television—the “real” writers were writing novels—and I was only writing screenplays. At the time, however, I was working in South Africa a lot and those seventeen hour plane rides to Cape Town gave me ample time to fuss around with the idea of writing a novel, and what came out of that fussing was THE UGLY TEAPOT.

The story itself had an earlier germination. My brother had died of cancer at a very young age and his death had a devastating impact on me. At the time, I decided to funnel my grief into a screenplay (FIREFLIES), but I didn’t want to write a sad, depressing ode to my brother. He wouldn’t have liked that. So what did I write instead? I wrote an action/adventure film filled with magic and humor. When FIREFLIES metamorphosed into THE UGLY TEAPOT, I stayed true to my original story, but tried to make TEAPOT more “novel-like”. This required, for one thing, expanding my story. FIREFLIES was 110 pages long (normal for most screenplays, but too short for a middle-grade novel), so expanding it allowed me to flesh out my characters and situations. This was fun and intimidating at the same time, but I was helped along by the fact that I had kept most of my notes on character and plot from the original screenplay, and I had tons of material I’d been forced to cut from the screenplay in order to get it down to length.

Bottom line: I really enjoyed the process. So much so that I’m doing it again. I’m currently writing the sequel to THE UGLY TEAPOT. What’s it about? Well, I can’t tell you very much without a spoiler alert, but I can tell you this: Aladdin’s Lamp has appeared in a tiny village in the foothills of the Great Smoky Mountains, and the people living there will never be the same. Fathers will rise from the dead, dogs will start talking, and people will die. And that’s just on the first day.

If you would like to know more about THE UGLY TEAPOT: HANNAH’S STORY, here are some links, including one to my YouTube video promo. The sequel will be out at the end of this year, and I hope you’ll check them both out. Thanks for listening!


YouTube video promo:  http://bit.ly/1MWJAyK